Director Fernando Frias new movie, Mexican Oscar hopeful “I’m No Longer Right here,” provides audiences a glance into the American dream, and his deconstruction of it.
Somewhat than forged well-known actors, Frias relied on his casting director to seek out non-actors to assist inform the story of Ulises, performed by Juan Daniel Garcia Treviño who goes on a journey from Monterrey, Mexico to New York for a brand new life, besides his American dream isn’t all it’s anticipated to be.
Frias teamed with cinematographer Damien Garcia to inform the story of Ulises’ journey as he yearns to attach with Mexico.
Frias and Garcia spoke with Selection in regards to the visible language of the movie, which is Mexico’s entry for worldwide characteristic movie on the Oscars.
What conversations did the 2 of you will have about portraying the 2 worlds within the movie, particularly the world of Monterrey, Mexico?
Damien Garcia: He confirmed me a number of music, a number of cumbia music and a number of photographs that he had taken in Monterrey.
Fernando Frias: We shared a listing of three or 4 stylistic issues that we didn’t wish to do. We didn’t break down colours.
As an alternative, we had been speaking about movies and literature that we appreciated. Damien additionally works in sound, so he would say make sounds and gestures, and it will make sense. The images of the movie anchors it, you’ll see that the digicam not often strikes.
It’s stable and but very easy on the similar time, virtually like a mirrored image — which is what the story is.
The opposite world is New York, and a gritty New York, but additionally a deconstruction of the American dream. This character has come to America and doesn’t converse English, and he’s mocked for the way he appears to be like, as he struggles to seek out his method round this new residence. What went into your casting?
Frias: I knew it was going to be a problem, however I knew I used to be in good fingers with the casting director, Bernardo Velasco. He did an incredible job with the youngsters. Their expertise is simple, nevertheless it was nice seeing how they realized to land on their marks.
Garcia: We used the uncertainty of the character greater than the thought of following the American dream. We tried to be misplaced with him and amazed as he skilled this totally different surroundings, and also you see that within the New York half.
Fernando captured what it was prefer to see New York for the primary time, and the facet that kicks you within the face. You see how disoriented he’s when he’s there.
In New York or Jackson Heights, I like the repetition of the telephone sales space the place our lead character is making an attempt to hook up with his household in Monterrey.
Frias: Repetition certainly is a part of the entire language. In Mexico, you’ll be able to see this wall, and it has the title of a politician with a marketing campaign.
The second time you see it, it’s only a clock to indicate the passing of time. It’s disrespected by the gangs. And the final time you see it, it has the letter of the brand new cartel on the town.
With the telephones, there have been extra scenes, however I realized one of the best ways to indicate this connection was by displaying him being disconnected.
I discovered this telephone sales space in New York with the subway behind it, however what struck me was the merchandising machine with the toy weapons and grenades.
Music within the movie is a personality in itself from cumbia to the precise rating, what did you talk about about it?
Frias: It’s the character’s largest ardour and what defines him. Music accompanies him, reminding him of his childhood. It helps him, and one thing he embraces.
The concept of it’s that it’s an important a part of the character and his ardour in life that we needed to keep it up.
The music can also be meant to final 5 minutes, however we had them final between 5 to 10 minutes as a result of we slowed the songs down. It was a metaphor for the character since you don’t need the music to finish as a result of we don’t know what’s subsequent. There may be a future or not, it’s not trying good and there are not any alternatives and no social upward mobility.