Rolling off a powerful 12 months for Scandinavian filmmaking, the digital 44rd version of the Goteborg Movie Festival will kick off with Zaida Bergroth’s “Tove,” which can compete alongside Thomas Vinterberg’s “One other Spherical” and Ninja Thyberg’s “Pleasure,” amongst different Nordic pics.
Telling the story of one in every of Finland’s most beloved and provoking artists, “Tove” broke field workplace information in Finland final 12 months regardless of the pandemic, and now ranks as the best grossing Swedish-language Finnish movie within the final 40 years.
“Tove,” which can also be Finland’s Oscar candidate, will likely be one of many seven movies vying for the Dragon Award Greatest Nordic Movie. The lineup contains “One other Spherical,” one of the crucial distinguished titles in Cannes 2020’s official choice, and “Pleasure,” which is ready to world premiere at Sundance, in addition to Ronnie Sandahl’s “Tigers,” Lisa Jespersen’s “Persona Non Grata,” Itonje Søimer Guttormsen’s “Gritt” and Magnus von Horn’s “Sweat.”
Goteborg will shut with the European premiere of Frida Kempff’s “Knocking,” a nerve-wrecking psychological drama.
Ruben Östlund, the Palme d’Or profitable helmer of “The Sq.,” who ranks as one in every of Europe’s most celebrated auteurs, will obtain the 2021 Nordic Honorary Dragon Award. Östlund, whose upcoming movie “Triangle of Unhappiness” is anticipated to unspool at a pageant later this 12 months, will give a masterclass on Feb. 4 as a part of the tribute.
Working on-line from Jan. 29 to Feb. 8, this 12 months’s uncommon version will present a complete of 70 movies from 39 nations.
“In such a particular 12 months we’re actually grateful that filmmakers and proper holders trusted us to shine a highlight on their motion pictures,” stated Jonas Holmberg, Goteborg pageant’s programmer. “We’re keen to present these movies and our mission will likely be to create an occasion for every movie, in addition to some pleasure,” added Holmberg.
“With theaters closed and so few movies launched, it’s essential for us at Goteborg to stir some pleasure and have interaction audiences, which is why we’ll do each day podcasts with filmmakers and conferences, amongst different initiatives,” stated the creative director. Holmberg stated he and his staff have been ready to comply with a flurry of digital festivals and so they bought a transparent thought of what labored and what didn’t work, in order that they designed Goteborg’s program accordingly.
Every movie may have a screening with a set slot, with 4 new premieres per day. “We’ve got a small program so we wish to be sure that we correctly spotlight every movie,” stated Holmberg.
“In a traditional 12 months, we current an unlimited program of 350 movies to give a panorama of movies all over the world. This 12 months, it’s unattainable to have the identical depth, however we managed to put collectively a extremely sturdy lineup,” stated Holmberg, who added that 47% of movies in this system are directed by ladies.
The worldwide competitors, in the meantime, consists of “Starting” by Dea Kulumbegashvili, “By no means Gonna Snow Once more” by Malgorzata Szumowska and Michał Englert, “Night time of the Kings” by Philippe Lacôte, “Quo Vadis, Aida?” by Jasmila Žbanić, “Slalom” by Charlène Favier, and “The Macaluso Sisters” by Emma Dante.
The Ingmar Bergman competitors for finest first movie contains “Gagarine” by Jérémy Trouilh and Fanny Liatard, “Liborio” by Nino Martínez Sosa, “Mama” by Li Dongmei, “Limbo” by Ben Sharrock, “The Final Bathtub” by David Bonneville, and “The Salt in Our Waters” by Rezwan Shahriar Sumit.
The Nordic documentary competitors consists of “A Music Referred to as Hate” by Anna Hildur, “Aalto” by Virpi Suutari, “Be My Voice” by Nahid Persson, “Flee” by Jonas Poher Rasmussen, “Into the Fog” by Maciej Kalymon,” and “Radiograph of a Household” by Firouzeh Khosrovani.