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Keira Knightley Reveals Discomfort in Being Under the ‘Male Gaze’

Oscar-nominated actor Keira Knightley (“The Imitation Recreation”) has revealed her discomfort in falling underneath the “male gaze” whereas filming intimate scenes.

In dialog with “The Farewell” filmmaker Lulu Wang and writer-producer Diane Solway on the Chanel Connects podcast, Knightley mentioned her determination so as to add a no nudity clause to her contract since changing into a mom was partly attributable to self-importance.

“It’s the male gaze. If I used to be making a narrative that was about that journey of motherhood and physique acceptance, I really feel like, I’m sorry, however that must be with a feminine filmmaker,” Knightley mentioned. “I don’t have an absolute ban, however I form of do with males.”

“I don’t need it to be these horrible intercourse scenes the place you’re all greased up and everyone is grunting. I’m not in doing that,” Knightley continued. “I really feel very uncomfortable now making an attempt to painting the male gaze. Saying that, there’s occasions the place I’m going, ‘Yeah, I utterly see the place this intercourse can be actually good in this movie and also you principally simply want anyone to look scorching.’ So subsequently you need to use anyone else, as a result of I’m too useless and the physique has had two kids now and I’d simply reasonably not stand in entrance of a gaggle of males bare.”

Each Knightley and Wang mentioned how the ongoing coronavirus pandemic had disrupted their plans. Wang mentioned she most likely would have already got been in Hong Kong right now, prepping her shoot and scouting areas. Wang was referring to her Amazon unique sequence “The Expatriates” that may observe the private {and professional} lives of a gaggle of expatriates in Hong Kong.

Knightley, who pulled out of the Apple TV Plus sequence “The Essex Serpent” final yr attributable to household causes throughout the pandemic, mentioned she is because of movie in and round London. Subsequent up for the actor is comedy “Silent Night time.”

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